By opening the I/O options popup, you can select "Replace input with reference" and view the reference tracks level in the left meter in the I/O section. You can also use the meters in the Ozone's I/O section to compare the level of your master with the reference track. Personally, I like to change Ozone's spectrum meter settings to use three-second averaging I also find third Octave mode very useful when comparing the spectrum of my master with my reference. When you start playback with a reference track loaded, you will see two spectra overlaid in the spectrum meters. From there, you can press the Reference A/B button anywhere else in Ozone to monitor your reference track. You can adjust loop points or section names from there.įrom within the reference panel, click a tab to select one of your loaded reference tracks to audition and set its gain. Each loop point is automatically given a letter of the alphabet as a default name corresponding to sections we detected in your track similar sounding sections will all be assigned the same letter so you can get going quickly. This allows you to find the most relevant section of your reference (the song section most like your own track), even faster. When you first load a reference track into Ozone, we run a segmentation algorithm to detect segments of material to give you suggested loop points (verses, choruses, etc.) for fast access to song sections. All your loaded references, their level, and loop points get saved in your session when using the plug-in, or in your Ozone project when using the standalone application. This will allow you to preview your processing without being artificially swayed by the level of the track. In Ozone, the Referencing panel you can create loop points for playback in each reference, and set a gain offset to level-match all of your reference tracks. Having a reference track to listen to can also help you avoid losing perspective while mastering: if you are listening to your own track for too long, your ears can adjust to unwanted frequencies (high-frequency build up for example), but switching to your reference can quickly help expose these differences and provide a much-needed reset. Understanding how a reference and your own track differ on different listening environments will help you shape a better master. If you’re familiar with the concept of the “car test”, you know that your final product doesn’t always sound the way you’d like it to on different speakers, while a reference should. It’s important to understand how the reference’s sonic profile compares to your own for several reasons.Ĭomparing your master with a reference will help with translation issues across listening environments. Why is track referencing important in mastering?Ī reference track's dynamic range and sonic character can be used to communicate what sound you’re aiming for in your master.
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